Issue Details: First known date: 2022... 2022 “There’s Meaning in a Cup of Tea” : Cecil Holmes’ Weekly Review No. 374: The Coaster (1948)
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Most discussion of the career of Cecil Holmes focuses, understandably, on the 30-year body of work he completed after migrating to Australia from New Zealand in 1949. Those who comment on Holmes’ much shorter stint in the New Zealand film industry are generally preoccupied with his infamous sacking from the National Film Unit (NFU) only three weeks after Weekly Review no. 374: The Coaster (1948) was released. Holmes became both persona non grata and a martyr to the leftist or socialist cause for his role in leading the first public service strike in New Zealand. Controversy over these events and the actions taken by the Labour Government of the time centred on the manner in which knowledge and evidence of Holmes’ involvement was attained and circulated. A satchel he’d left in one of the NFU’s cars contained both a letter of instruction to the leader of the union and Holmes’ Communist Party membership card. This was purloined by individuals close to the government and leaked to the press. Although Holmes was subsequently reinstated and back paid after a period of twelve months out of work, he quickly left his birth country for Australia, never to return again. (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Senses of Cinema no. 103 October 2022 25399450 2022 periodical issue

    'This All Hallows Eve, Senses of Cinema is publishing our first sustained inquiry into nonfiction cinema from the territories of former Yugoslavia. At a time when new nationalisms are again on the horizon, what tactics do documentary cineastes employ in an effort to fight back? Guest editor Nace Zavrl collates articles examining the importance and inexhaustible grit of recent nonfiction from the ex-Yugoslav region. In the context of ideological mystification, documentary images play a privileged role, tasked and entrusted with offering adequate, just depictions of our world. Precisely due to their experiences with virulent ethnonationalism and an assortment of obfuscatory political techniques, ex-socialist filmmakers and artists have offered viewers of contemporary nonfiction much to think through. Form, as these articles argue, is inextricable from politics; the aesthetic devices that filmmakers choose to employ (or to omit) have consequences in life outside cinema. ' (Editorial introduction)

    2022
Last amended 4 Nov 2022 07:55:48
http://www.sensesofcinema.com/2022/cteq/theres-meaning-in-a-cup-of-tea-cecil-holmes-weekly-review-no-374-the-coaster-1948/ “There’s Meaning in a Cup of Tea” : Cecil Holmes’ Weekly Review No. 374: The Coaster (1948)small AustLit logo Senses of Cinema
Newspapers:
    Powered by Trove
    X