Cirrus@Austlit

'As we sit down to write this introduction it’s reaching the end of winter in Geelong (Djilang), on unceded Wadawurrung Country – close to a year since we first considered the issue and its theme with Cordite’s Kent MacCarter. OPEN. What to say? Wattle’s blossoming in the park; magnolias are opening along suburban streets.¹ The pandemic isn’t over, even if lockdowns have ended and, for many, masks are no longer. The government has changed, though as Behrouz Boochani wrote recently, in fundamental ways so-called Australia remains unaltered, seemingly unwilling to imagine itself anew. And so – amid continued violence across parts of the world including Ukraine, Gaza, and this colony – our approach to ‘Open’, at least thematically, remains an ironic, uneasy one.' (Jo Langdon and Cameron Lowe : Editorial introduction)

'The brilliant new short story collection from the Arthur C. Clarke Award-winning author of The Animals in That Country.

'A family of cat farmers gets the chance to set the felines free. A group of chickens tells it like it is. A female-crewed ship ploughs through the patriarchy. A support group finds solace in a world without men.

'With her trademark humour, energy, and flair, McKay offers hallucinogenic glimpses of places where dreams subsume reality, where childhood restarts, where humans behave like animals and animals talk like humans.

'The stories in Gunflower explode and bloom in mesmerising ways, showing the world both as it is and as it could be.' (Publication summary)