Cirrus@Austlit

'‘If I wanted stillness, I’d build a bungalow,’ writes Ella Jeffery in ‘Supertall’, a poem that envisions life in 432 Park, the world’s tallest residential building. HEAT Series 3 Number 4 explores the tensions between house and home, nature and suburbia, earth and outer space. Clare Murphy uses the language of plants to tell a thorny story of urban development. A series of photographs by Yanni Florence reveal hidden images on city streets. Irish writer David Hayden shares a filmic vision of the Sydney suburbs in his short story ‘Marrickville Light’. Two poets, Ella Skilbeck-Porter and Ella Jeffery contemplate cats and real estate. And Luke Beesley and Amy Leach go further afield, conjuring worlds that sit somewhere between the real and the imaginary.' (Publication summary)

'Best of Australian Poems is an annual anthology collecting previously published and unpublished poems to create a poetic snapshot and barometer of the year that was. Capturing the richness and diversity of Australian poetry across a timeframe of 1 July 2022–1 August 2023, the series (now in its third year) will explore how poetic responses to the contemporary moment develop with each passing year.' 

'The 2023 book opens with an introduction by its editors, highly respected poets and editors Gig Ryan and Panda Wong. Gig Ryan is one of the country’s most highly recognised and read poets, with major awards for her poetry over decades, and a prominent publication profile both here and overseas. Panda Wong is on the vanguard of Australian literature as a poet, editor and performer whose work spans the page, stage and digital space. Previous editors of this prestigious series have been Ellen van Neerven and Toby Fitch (2021), and Jeanine Leane and Judith Beveridge (2022).

'The Best of Australian Poems (BoAP) series is published by Australia’s national poetry organisation, Australian Poetry, and will feature two different guest editors each year, to amplify the range of voices selected. It is funded by the Australia Council for the Arts and individual patrons.' (Publication summary)