'About three-quarters through Acrobat Music: New & Selected Poems, Jill Jones nudges the reader knowingly in the ribs. ‘Difficult Poem’ proposes a list of possible definitions of what a ‘difficult poem’ might be, or might be assumed to be. Composed of only six lines, and nineteen words anagrammatically rearranged from its title, with an introductory subtitle, ‘(yeah like a’, it’s an ironic riposte to what has come back to Jones, as she told Jen Webb in a 2019 interview, ‘that my poetry is thought to be a bit “difficult”, for some reason I can’t quite figure out. Because it really isn’t difficult.’ Having read Acrobat Music, I wouldn’t disagree with her. And ‘Difficult Poem’ certainly hammers home the rousing, generative riffing of Jones’ approach.' (Introduction)
'Jill Jones has given many interviews about her poetry where, inevitably, an interviewer asks her, ‘What is Australian poetry?’ In one of my favourite quips, Jones says, ‘Is it only Australians who worry about what is “Australian” poetry?’ Related issues are addressed in her pithy foreword to her second volume of new and selected poems, Acrobat Music. She states, ‘I realise, and others have said, my work doesn’t fit easily into a specified school, category or type of Australian poetry.’ This provides a fortifying manifesto to her oeuvre, reflecting Jones’s interest in ‘the possibilities of the poem … form, sound, connotation, address’.' (Introduction)
'Jill Jones has given many interviews about her poetry where, inevitably, an interviewer asks her, ‘What is Australian poetry?’ In one of my favourite quips, Jones says, ‘Is it only Australians who worry about what is “Australian” poetry?’ Related issues are addressed in her pithy foreword to her second volume of new and selected poems, Acrobat Music. She states, ‘I realise, and others have said, my work doesn’t fit easily into a specified school, category or type of Australian poetry.’ This provides a fortifying manifesto to her oeuvre, reflecting Jones’s interest in ‘the possibilities of the poem … form, sound, connotation, address’.' (Introduction)
'About three-quarters through Acrobat Music: New & Selected Poems, Jill Jones nudges the reader knowingly in the ribs. ‘Difficult Poem’ proposes a list of possible definitions of what a ‘difficult poem’ might be, or might be assumed to be. Composed of only six lines, and nineteen words anagrammatically rearranged from its title, with an introductory subtitle, ‘(yeah like a’, it’s an ironic riposte to what has come back to Jones, as she told Jen Webb in a 2019 interview, ‘that my poetry is thought to be a bit “difficult”, for some reason I can’t quite figure out. Because it really isn’t difficult.’ Having read Acrobat Music, I wouldn’t disagree with her. And ‘Difficult Poem’ certainly hammers home the rousing, generative riffing of Jones’ approach.' (Introduction)
