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'The National Portrait Gallery owns a minuscule sepia studio photograph titled ‘Master Johnny Day, Australian Champion Pedestrian’. From this curious gumnut, Robert Drewe has created a sprawling multi-limbed eucalypt.'
(Introduction)
Publication Details of Only Known VersionEarliest 2 Known Versions of
'Among the delights at the end of winter are the return of afternoons and the arrival of ABR’s fiction-laden August issue. This month we publish the three shortlisted stories for the ABR Elizabeth Jolley Short Story Prize alongside reviews of a fresh harvest of fiction by Edwina Preston, Robert Drewe, Eleanor Limprecht, and Scott McCulloch. Julieanne Lamond and Brigid Magner look at new studies of Gail Jones and Joseph Furphy, respectively, while Gary Pearce writes on the Joyce centenary. In politics, Mark Kenny analyses the Albanese government’s first chapter as Paul Strangio forecasts the challenges awaiting Daniel Andrews at the ballot box and Patrick Mullins examines Aaron Patrick’s autopsy of the post-Turnbull Liberal party. Catharine Lumby reflects on the life of Frank Moorhouse, while Ian Dickson reviews the letters of poet Thom Gunn. There’s an interview with Michael Winkler, new poetry by Jennifer Harrison and Vidyan Ravinthiran, and much, much more!' (Publication summary)
25-26https://www.australianbookreview.com.au/abr-online/archive/2022/august-2022-no-445/980-august-2022-no-445/9382-michael-winkler-reviews-nimblefoot-by-robert-dreweReckless as a Rule : Robert Drewe’s Ambivalence Towards HistoryAustralian Book Review