'A career-defining masterpiece by internationally award-winning Australian storyteller Jock Serong
'On the windswept point of an island at the edge of van Diemen's Land, the Commandant huddles with a small force of white men and women.
'He has gathered together, under varying degrees of coercion and duress, the last of the Tasmanians, or so he believes. His purpose is to save them-from a number of things, but most pressingly from the murderous intent of the pastoral settlers on their country.
'The orphans Whelk and Pipi, fighting for their survival against the malevolent old man they know as the Catechist, watch as almost everything about this situation proves resistant to the Commandant's will. The wind, the spread of disease, the strange black dog that floats in on the prow of a wrecked ship...
But above all the Chief, the leader of the exiles, before whom the Commandant performs a perverse, intimate dance of violence and betrayal.
'In The Settlement, Jock Serong reimagines in urgent, compelling prose the ill-fated exploits of George Augustus Robinson at the settlement of Wyballena-a venture whose blinkered, self-interested cruelty might stand for the colonial enterprise itself.' (Publication summary)
Epigraph:
Once it was taught that their death was somehow to our credit. We would came, in the name of the dead, to admire ourselves. That was a long time ago. Now all we understand is that we don't understand. But we come in humility, and in guilt, knowing that in some way we are all murderers, we are all cannibals, and the dead have been our victims. Randolph Stow, Tourmaline
Selected as one of the Guardian Australia best Australian books of 2022
Selected as one of the ABC Arts best books of 2022
'A third of the way through Jock Serong’s sixth novel, The Settlement, a woman asks her new husband a pointed question about Wybalenna, the desolate Tasmanian community in which she finds herself, a community of duplicitous, expedient, and brutally deranged white men and the First Nations Tasmanians they seek to subjugate. ‘How will it end? His wife had asked him when she first arrived. Will the paddock fill and the people empty? Will there be another paddock after this one, if there are more people coming?’ Her husband, the storekeeper of the settlement, is witness to the grim activities of the governing group. He sees terrible cruelties he is largely powerless to prevent. The paddock she asks about is a cemetery. She is describing genocide, not through the widespread slaughter of Tasmanian Aboriginal people on their traditional lands, which has been the pretext for persuading them to join the community, but through deaths caused by disease and displacement. Paddocks imply farming. Her question highlights the morbid and seemingly perpetual industry of death and colonisation, and its horror. This is the subject of Serong’s confronting novel.' (Introduction)
'A third of the way through Jock Serong’s sixth novel, The Settlement, a woman asks her new husband a pointed question about Wybalenna, the desolate Tasmanian community in which she finds herself, a community of duplicitous, expedient, and brutally deranged white men and the First Nations Tasmanians they seek to subjugate. ‘How will it end? His wife had asked him when she first arrived. Will the paddock fill and the people empty? Will there be another paddock after this one, if there are more people coming?’ Her husband, the storekeeper of the settlement, is witness to the grim activities of the governing group. He sees terrible cruelties he is largely powerless to prevent. The paddock she asks about is a cemetery. She is describing genocide, not through the widespread slaughter of Tasmanian Aboriginal people on their traditional lands, which has been the pretext for persuading them to join the community, but through deaths caused by disease and displacement. Paddocks imply farming. Her question highlights the morbid and seemingly perpetual industry of death and colonisation, and its horror. This is the subject of Serong’s confronting novel.' (Introduction)
