'This article situates the writing of a novel and its relationship to place within a practice-
led vantage point that draws on concepts of writing about the city, ranging from the
figure of the
flâneur to the field of psychogeography. I explore how the physical act of
moving through a city on foot and my close reading of two short stories – which both
leverage the contrast between pedestrian and vehicle – helped me to approach and
define the city in which my novel is set and, through this, offered specific opportunities
and imaginative possibilities for the narrative rendering of place. I also unpack the
potentiality of the car, particularly the way it shapes an unequal power dynamic in
which the pedestrian may be observed, interpreted and threatened by someone who can
remain protected within the enclosure of a vehicle.'
(Publication abstract)