Cirrus@Austlit

'Discussing the challenges of setting fiction in his adopted America, expatriate Peter Carey recalled a comment by one of his students: ‘when you change countries you lose your peripheral vision.’ Working up the nerve to take stock of the ‘democratic experiment’ in Parrott and Olivier in America (2009), Carey sensibly muffled any missteps in the picaresque blunderings of two fish-out-of-water nineteenth-century Europeans, a myopic nobleman and his roguish footman. Though it’s 2011 when 22-year old Melburnian Will lugs his backpack from the airport carousel, Emily Bitto’s second novel Wild Abandon adopts a similar strategy: figuring its millennial hipster as a quixotic adventurer, charting the (Introduction)distance between his American dream and obstinate reality for comic juxtaposition.' (Introduction)