'This article reads Patrick White’s 1957 novel Voss as an early example of Neo-Victorian fiction, a relatively recent but critically well-established category of postwar and contemporary fiction that has not yet been deployed with reference to Voss. I argue that, while seemingly adopting the elements of Australian narratives of exploration and settlement, White’s Neo-Victorian approach in fact contests these narratives, which began to emerge in the nineteenth century that forms the setting of the novel and were still current in the mid-twentieth century when it was written. In so doing, Voss exposes the tensions and contradictions inherent in settler narratives more generally and shows their reliance on social, cultural, and textual models imported from Britain, primary among them rural domesticity and the pastoral. My reading of Voss challenges existing scholarship on White’s novel, which tends to see Voss either as a contribution to the discourse of Australian national identity or as a work interested in ahistorical, mythological self-realization for the two protagonists, Ulrich Voss and Laura Trevelyan.' (Publication abstract)
'There exists an extensive amount of research in the fields of anthropology, literary studies, and philosophy driven by settler-oriented comparisons between Indigenous nations that verified the representation of Indigenous peoples as Other. Meanwhile, the amount of scholarly works on comparative Indigenous literary encounters in the last decade is worthy of note as indicative of the emergence of a planetary decolonial consciousness. To present an argument as to the need to think of the planetary agency of Indigenous writers, I will closely examine the variety of poetic strategies utilized by Yankunytjatjara poet Ali Cobby Eckermann of South Australia, and Yoogum and Kudjela poet Lionel Fogarty of Southern Queensland, in their writing towards other Indigenous peoples from Gaelic Ireland, and the Pacific. This serves two crucial interventions, puncturing through the deficit discourse that essentializes the poethical contribution of Aboriginal writers, and developing comparative strategies for future Indigenous-to-Indigenous encounters.' (Publication abstract)
