'Alice had not expected to spend the first twenty years of the twenty-first century writing about Leonard Woolf. When she stood on Morell Bridge watching fireworks explode from the rooftops of Melbourne at the start of a new millennium, she had only two thoughts. One was: the fireworks are better in Sydney. The other was: was the world’s technology about to crash down around her? The world’s technology did not crash. But there were worse disasters to come: Environmental collapse. The return of fascism. Wars. A sexual reckoning. A plague.
'Uncertain of what to do she picks up an unfinished project and finds herself trapped with the ghosts of writers past. What began as a novel about a member of the Bloomsbury set, colonial administrator, publisher and husband of one the most famous English writers of the twentieth century becomes something else altogether.
'Complex, heartfelt, darkly funny and deeply moving, this is Sophie Cunningham’s most important book to date – a dazzlingly original novel about what it’s like to live through a time that feels like the end of days, and how we can find comfort and answers in the past.'
Source: Publisher's blurb.
'An ambitious book that interweaves the lives of Leonard and Virginia Woolf with contemporaneous climate change disasters.'
'In Sophie Cunningham’s This Devastating Fever, tiny comets blaze across the pages. Connecting disparate histories, their orbits disrupt the order of time, a function of the novel’s non-linear form.'
'Early in This Devastating Fever, a writer named Alice has a difficult conversation with her agent, Sarah, about the novel she is working on, which she is considering calling This Devastating Fever. The novel is supposed to be about Leonard Woolf, left-wing journalist and activist, novelist, publisher, best-selling memoirist, and husband of Virginia Woolf, whom he outlived by almost thirty years. Things are not going well for Alice, however. She cannot settle on a theme (the parallels between Leonard’s era and her own proliferate alarmingly) or an approach (experimental approaches have failed her, historical fiction bores her), and her agent is increasingly concerned. In its current iteration, the book is both fiction and non-fiction – which makes it potentially unsaleable, Sarah tells Alice sternly. Forced to choose, Alice picks fiction.' (Introduction)
'“How good are novels!” So thinks protagonist Alice Fox in This Devastating Fever, the third novel from former publisher Sophie Cunningham. Alice is preparing to chair a panel at a writers’ festival, just as Covid-19 hits the headlines in March 2020.' (Introduction)
'Angry and enthralling, this novel challenges the reader’s understanding of what a novel might be.'
