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'This paper analyzes the way in which Alexis Wright’s Carpentaria recreates the space of Indigenous country. Looking at the environment and the focus on locality from a regional perspective, I argue that geographic space is used as a subversive place of reality and history so that Indigeneity is a matter of intersubjective relations (M. Langton) and is constantly conceptualized in a process of dialogue, representation, and imagination. I thus examine the focal positioning of the natural environment to show how the manifestation of place and Dreaming tracks annihilate an imagined colonial reality and tend to reconfigure the postcolonial present.' (Publication abstract)

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y Commonwealth : Essays and Studies Alexis Wright vol. 44 no. 2 2022 24301365 2022 periodical issue Abstract
'This special issue on Alexis Wright’s work includes ten academic articles, seven of which focus on Wright’s Carpentaria (2006), while three discuss the author’s two other novels – Plains of Promise (1997) and The Swan Book (2013) – and oeuvre as a whole. The issue also contains art and poetry by Australian Indigenous creative artists, as well as the reprint of a review of Carpentaria and a reflexive essay on translating Wright’s works into Chinese. From the centrality of Indigenous epistemologies in Wright’s oeuvre to her narrative creativity, representation of country, commitment to a sovereignty of the mind, humour, and refusal of genres, the various contributions to the special issue propose original analyses and approaches to better understand Wright’s nuanced, complex novels and non-fiction works.' (Publication summary)

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