'A number of critics have deployed the generic category of magical realism in reading Alexis Wright’s novel, Carpentaria. While accepting that the novel has something in common with this generic classification and a relation to texts and writers associated with it, this essay seeks to show the limitations inherent in reducing Carpentaria to this (or other) generic classifications. While Carpentaria enacts and explores elements of the representation of time and the sacred that are congruent to magical realism, it also refuses to be reduced to either magical realism or genre as such.'(Publication abstract)