'By analyzing one of the world's greatest collections of Indigenous song, myth, and ceremony--the collections of linguist/anthropologist T. G. H. Strehlow--Ceremony Men demonstrates how inextricably intertwined ethnographic collections can become in complex historical and social relations. In revealing his process to return an anthropological collection to Aboriginal communities in remote central Australia, Jason M. Gibson highlights the importance of personal rapport and collaborations in ethnographic exchange, both past and present, and demonstrates the ongoing importance of sociality, relationship, and orality when Indigenous peoples encounter museum collections today. Combining forensic historical analysis with contemporary ethnographic research, this book challenges the notion that anthropological archives will necessarily become authoritative or dominant statements on a people's cultural identity. Instead, Indigenous peoples will often interrogate and recontextualize this material with great dexterity as they work to reintegrate the documented into their present-day social lives.
'By theorizing the nature of the documenter-documented relationships this book makes an important contribution to the simplistic postcolonial generalizations that dominate analyses of colonial interaction. A story of local agency is uncovered that enriches our understanding of the human engagements that took, and continue to take, place within varying colonial relations of Australia.' (Publication summary)
'Ceremony Men makes a fine addition to a growing scholarship on engaging with and making sense of historical collections of Aboriginal material today, particularly contentious collections that carry a fraught legacy. The collection in question in Gibson’s study is that assembled by linguist and ethnographer T.G.H. (‘Ted’) Strehlow, now housed at the purpose-built Strehlow Research Centre in Alice Springs. Gibson describes this archive as ‘a wondrous collection of diaries, papers, maps, genealogies, audio recordings, films and artefacts’ (40). And due to Strehlow’s detailed record-keeping, ‘each item can be linked to other parts of the collection’ (40).' (Introduction)
'Nowadays, ‘ethnography’ often arouses moral disgust. A post-colonial imaginary makes analogies of the removal of minerals, the removal of human remains, the removal of children and the removal of Indigenous knowledge.' (Introduction)
'Nowadays, ‘ethnography’ often arouses moral disgust. A post-colonial imaginary makes analogies of the removal of minerals, the removal of human remains, the removal of children and the removal of Indigenous knowledge.' (Introduction)
'Ceremony Men makes a fine addition to a growing scholarship on engaging with and making sense of historical collections of Aboriginal material today, particularly contentious collections that carry a fraught legacy. The collection in question in Gibson’s study is that assembled by linguist and ethnographer T.G.H. (‘Ted’) Strehlow, now housed at the purpose-built Strehlow Research Centre in Alice Springs. Gibson describes this archive as ‘a wondrous collection of diaries, papers, maps, genealogies, audio recordings, films and artefacts’ (40). And due to Strehlow’s detailed record-keeping, ‘each item can be linked to other parts of the collection’ (40).' (Introduction)
