Cirrus@Austlit

'In Gail Jones’ debut novel Black Mirror (2002), young Australian biographer Anna travels to London to meet Victoria Morrell, who in the 1930s fled a Western Australian gold-mining town for Paris, where she became an artist at the fringes of the surrealist movement. Interviewing her flamboyant subject, Anna discovers that Morrell’s extravagance conceals a deep shame that her father, owner of the local Midas mine, was violently racist. His fondness for proudly comparing the depth of his mine to the inferior height of the Eiffel Tower makes her flight to Paris symbolic, more than the act of a provincial putting on airs. Positioning art as a repudiation of the corrupting colonial logic of plunder, Anna celebrates Morrell as a ‘Prospector of the Marvellous’.' (Introduction)