'We can learn much about a culture by listening to how it talks about its art. The way non-white writers, for want of a better phrase, tend to be reviewed in Australia tells us a lot about how we determine cultural value. Some reviewers place a premium on the author’s biography – her identity – rather than on her work itself. The reviewer avoids critical engagement with the text in favour of a kind of reverential praise of its political messaging. This messaging isn’t necessarily determined by the content of the work, but rather by a mistaken conflation of the work with the author’s cultural identity. It’s a kind of habit, a reflexive way of reading literature, especially literature by non-white authors, as if the mere act of writing a book were fundamentally and inevitably political – or, as they say, an ‘act of resistance’.'
'We can learn much about a culture by listening to how it talks about its art. The way non-white writers, for want of a better phrase, tend to be reviewed in Australia tells us a lot about how we determine cultural value. Some reviewers place a premium on the author’s biography – her identity – rather than on her work itself. The reviewer avoids critical engagement with the text in favour of a kind of reverential praise of its political messaging. This messaging isn’t necessarily determined by the content of the work, but rather by a mistaken conflation of the work with the author’s cultural identity. It’s a kind of habit, a reflexive way of reading literature, especially literature by non-white authors, as if the mere act of writing a book were fundamentally and inevitably political – or, as they say, an ‘act of resistance’.'