Issue Details: First known date: 2021... 2021 Henry Reynolds on Conceptual Dissonances of Australian Sovereignty
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AbstractHistoryArchive Description

'In his latest publication, Henry Reynolds surveys international laws that challenge the audacious claim the British made on the Australian continent in the eighteenth century. In his trademark enigmatic style, Reynolds draws our attention to two significant sections of Uluru Statement from the Heart authored at the National Constitutional Convention held at Uluru in 2017, which calls for a Makarrata (Yolgnu – coming together after a struggle). The first declares that First Nations peoples never ‘ceded or extinguished’ sovereignty over their land and secondly this sovereignty ‘coexists with the sovereignty of the Crown’ (viii–ix). The book’s timely arrival amidst increasing demands for truth-telling about Australia’s colonial past strikes a decisive blow to long-held assumptions about the basis on which European sovereignty was established.'  (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

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    y separately published work icon History Australia vol. 18 no. 4 2021 23761646 2021 periodical issue

    'On 1 September 2021, Tasmanian Aboriginal artist Julie Gough’s work ‘Breathing Space’ was unveiled in Hobart. This artwork is part of the City of Hobart’s ‘Crowther Reinterpretation Project’, for which four artists have been invited to create works responding to the statue of William Crowther. The project aims to ‘acknowledge, question, provoke discussion or increase awareness’ about Crowther, especially his treatment of the body of well-known Aboriginal leader William Lanne after his death in the 1860s. In Gough’s work, the statue of Crowther has been removed from public view, boxed up in a black timber crate. Visitors can scan a QR code nearby and be directed to a webpage that provides a printable amended wording for the plinth. Gough told ABC Hobart that she had avoided walking past the statue for 20 years, but now the statue was covered, ‘I can sit here, knowing he's not looking down on us…when he was crated you could feel Hobart breathe. It was amazing.' (Editorial introduction)

    2021
    pg. 896-897
Last amended 3 Feb 2022 12:06:15
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