y separately published work icon Journal of Postcolonial Writing periodical issue   peer reviewed assertion
Alternative title: Special Issue : Malaysian Literature in English
Issue Details: First known date: 2021... vol. 57 no. 5 2021 of Journal of Postcolonial Writing est. 2005- Journal of Postcolonial Writing
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Notes

  • Contents indexed selectively.

Contents

* Contents derived from the 2021 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Hyphenational Poetics in Omar Musa’s Parang and Millefiori, Weihsin Gui , single work criticism

'This article examines two poetry collections by Omar Musa (b. 1984) and his hyphenated identity as a Malaysian Australian. Extending Jahan Ramazani’s concept of transnational poetics, it draws on Omar’s comments about the importance of the hyphen in his personal and artistic self-fashioning to argue for the presence of a “hyphenational poetics” in his work. This poetics functions as both hyphen and parang (machete), enabling transnational connections and sociopolitical critique. It is evident in the mixture of Malay language and Malaysian cultural details, African American hip-hop rhythms and aesthetics of spoken-word or slam poetry in Musa’s anglophone poems. His poetry performs a simultaneous critique of the sociopolitical status quo of both his ancestral homeland of Malaysia and his country of birth and citizenship, Australia. His hyphenational poetics offers one way of thinking beyond the national–sectional division in Malaysian literature, focusing instead on in-betweenness and cross-cultural borrowings and exchanges.' (Publication abstract)

(p. 650-664)
I Am a Homelandi"Tanah — earth. Air — water (sea). Tanah air — homeland.", Omar Musa , single work poetry (p. 727-728)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 6 Jan 2022 09:38:55
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