'In Gail Jones’ 2018 novel about the life and death of Noah Glass, his ‘vocation’ as an art historian begins when, as a small boy growing up in the remote north of Western Australia, he opens a book about the Great Art Museums of the World. It translates him miraculously from the Mars-orange landscape of the outback to the rarefied, Prussian-blue world of Piero della Francesca: it was a ‘window to elsewhere’ and ‘other worlds and times blazed as portents from the pages’. The significance of this moment is confirmed twenty years later when, as a student in London, Noah discovers Piero’s The Nativity (c. 1470-5) hanging in the National Gallery: ‘Noah walked around the National Gallery, taking meticulous notes, registering line by line his self-improvement’. These are instances of what Peter Wagner calls intermediality: the intertextual use of one medium, such as painting, in another medium, such as prose fiction.' (Introduction)
