Issue Details: First known date: 2021... 2021 The Mobility of Identity : Home, Travel and Intercultural Fort\da in Gail Jones’s Sixty Lights
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'The Australian writer Gail Jones excels at "transnational writing" and Sixty Lights is one prominent example. The novel explores the themes of home, travel and "intercultural fort\da" by highlighting the fluidity of identity. Lucy changes her "home" frequently only to showcase the difference of her identity, and her three journeys across the ocean construct her identity within the sameness. Hence Lucy carries out the practice of "intercultural fort\da," pursuing "the contact zone," which exemplifies "contradictory subject positions," "relationality," and "situationality." In this neo-Victorian novel, Lucy’s identity transcends space and time, dispelling the contradictions and anxieties in the construction of her cultural identity. She finally becomes a unique "global traveller" and a "woman of the future."' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 17 Dec 2021 12:53:02
144-150 The Mobility of Identity : Home, Travel and Intercultural Fort\da in Gail Jones’s Sixty Lightssmall AustLit logo Contemporary Foreign Literature
Newspapers:
    Powered by Trove
    X