Charmaine Peters Charmaine Peters i(23375535 works by)
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Boxed In : Covid-19, Comedy, and a Captive Audience Charmaine Peters , 2021 single work criticism
— Appears in: TEXT Special Issue , October no. 62 2021; 'This article considers the place of screenwriting practice in relation to comedic television projects created during an extended lockdown period in Australia and internationally. During times of global disruption, society has repeatedly relied on the literary and performing arts to entertain and inform. I will use the television series Retrograde (2020) as a case study to consider screenwriters’ resilience during times of turbulence and unrest and how they were able to create television in isolation to deliver comic relief to an online audience. Retrograde was written and produced entirely online in direct response to the restriction of movement and face- to-face interactions imposed due to the global Covid-19 pandemic. The comedic television show was written for a multiscreen performance and features a predominantly female writing team and cast. It is set in the online video conferencing space, which many have become accustomed to using for educational, professional, and social encounters during lockdown. Retrograde’s characters depict the intersection of cultures of disability, sexuality, gender, race, and class, with the shared experience of being stuck at home, alone together. The Retrograde project proves intercultural representations can flourish within screenwriting practice when given the opportunity, and intermedial collaboration is possible despite the imposed hindrance of isolation.' (Publication abstract)
X