Cirrus@Austlit

'Unlucky in love, Maddie St. Clair hides behind an antique store and her mudlarking hobby. That is until she finds a medieval ring that throws her back to 1102 Cumberland and into the life of Lady Madeline Vincent, heiress to Norman lands and about to be married to an autocratic Baron, William Dowell, nine hundred years her senior.

'Lord William Dowell protects his own. Usually, from his closest neighbor and long standing foe the Baron of Aimecourt. Forced to marry his dead enemy's daughter, Lady Madeline, by King's decree, he hides his growing respect for his wife behind a wanton mistress. Yet when Madeline's life is threatened, William's loyalty to his kin is tested by the astonishing desire that flares between them. Not to mention the love that Madeline ignites that would last an eternity. If fate will allow ...'

Source: Publisher's blurb.

'Archaeologist Sarah Baxter just broke one of the biggest rules of time travel: leaving a piece of 21st century equipment in 19th century Regency England. Unfortunately, when she goes back to retrieve it, she makes an even bigger mess of things – resulting in the death of an English Earl. Now his brother is not only out for revenge, but he also has Sarah's device. Which means an entirely different approach is needed.

It doesn't occur to the new Earl of Earnston that his charming acquaintance is responsible for his brother's death. He is merely swept away by a passion that threatens his very reputation. Yet he gets the distinct impression that Miss Baxter is hiding something from him. Now Sarah must find a way to steal back her device, hide the truth about the earl's brother and – most importantly – not fall in love...'

Source: Publisher's blurb.

'Her mother executed for witchcraft, her father dead at the hand of a noble, Victoire Charpentier vows to rise above her poor peasant roots.

'Forced to leave her village of Lucie-sur-Vionne for domestic work in Paris, Victoire is raped and threatened by her Marquis master, and must abandon her newborn, Rubie, on the church steps.

'Accused of a heinous crime, Victoire is imprisoned in La Salpêtrière mental asylum, where she bonds with fellow prisoner, Jeanne de Valois - conwoman of the infamous Necklace Affair that brought down Queen Marie Antoinette. She dreams of escaping the asylum but wonders if the price of freedom – losing Jeanne – is worth it.

'Enmeshed in the fervour of the 1789 Bastille storming, Victoire hears the name ‘Rubie’ called. Could her foundling daughter be alive, and living in Paris?'

Source: Publisher's blurb.

'Summer, 1936: Gone with the Wind, Margaret Mitchell's first novel, takes the world by storm. Everyone in Hollywood knows Civil War pictures don't make a dime, but renegade producer David O. Selznick snaps up the movie rights and suddenly America has just one question: Who will play Scarlett O'Hara?

When Gwendolyn Brick gets her hands on the book, the clouds part and the angels sing the Hallelujah Chorus. Only a real Southern belle can play Scarlett–and didn't her mama raise her on stories of Sherman's march and those damned Yankees? After years of slinging cigarettes at the Cocoanut Grove, Gwendolyn finds a new calling: to play Scarlett. But she's not the only gal in town with a deep-fried accent. She's going to have to stand out bigger than a hoop skirt at a Twelve Oaks barbeque to win that role.

Marcus Adler is the golden boy of Cosmopolitan Pictures, the studio William Randolph Hearst started for his mistress, Marion Davies. When Marcus' screenplay becomes Davies' first hit, he's invited to Hearst Castle for the weekend. The kid who was kicked out of Pennsylvania gets to rub shoulders with Myrna Loy, Winston Churchill, and Katharine Hepburn–but when the trip turns fiasco, he starts sinking fast. He needs a new story, real big and real soon. So when F. Scott Fitzgerald moves into the Garden of Allah with a $1000-a-week MGM contract but no idea how to write a screenplay, Marcus says, "Pleased to meetcha. We need to talk."

'When Selznick asks George Cukor to direct Gone with the Wind, it's the scoop of the year for Kathryn Massey, the Hollywood Reporter's newest columnist. But dare she publish it? Scoops are the exclusive domain of the Hearst papers' all-powerful, all-knowing, all-bitchy Louella Parsons. Nobody in Hollywood has ever dared to outscoop Louella–until now. When Louella comes back low and dirty, Kathryn's boss lets her dangle like a scarecrow in a summer storm. Then the telephone rings. It's Ida Koverman, Louis B. Mayer's personal secretary, and she has a proposition she'd like to make.

'The Trouble with Scarlett is the second installment in the Hollywood's Garden of Allah saga, a series of historical novels set in Hollywood's heyday. If you like authentic and richly-detailed history, compelling and memorable characters, and seeing fiction and history seamlessly woven together, then you'll love Martin Turnbull's authentic portrayal of the City of Angels.' (Publication summary)

'Right before talking pictures slug Tinsel Town in the jaw, a luminous silent screen star converts her private estate into the Garden of Allah Hotel. The lush grounds soon become a haven for Hollywood hopefuls to meet, drink, and revel through the night. George Cukor is in the pool, Tallulah Bankhead is at the bar, and Scott Fitzgerald is sneaking off to a bungalow with Sheilah Graham while Madame Alla Nazimova keeps watch behind her lace curtains.

'But the real story of the Garden of Allah begins with its first few residents, three kids on the brink of something big.

'Marcus Adler has a lot to prove after his father catches him and the police chief's son with their pants down. He flees Pennsylvania for Hollywood with his mouth shut and his eyes open, and begins to write the lines all those starlets will say out loud. Can a smart, sensitive guy find his own voice in a town that's just learning to talk?

'Kathryn Massey's childhood was a grinding routine of auditions, but she couldn't care less about being a movie star. When she takes off with her typewriter, determined to become a newspaper reporter, she finds that breaking into the boys' club is tougher than breaking free of her bossy mother. To make it in this town, she'll need some serious moxie.

'Gwendolyn Brick is a sweet Southern beauty who's come a long way to try her luck on the big screen. She's hoping the same succulent lips the guys want to kiss will land her more than a bit part on a casting couch. She's going to need some help keeping everyone in line.

Nobody gets a free pass in Hollywood, but a room at the Garden on Sunset can get your foot in the door.

'The Garden on Sunset is the first installment in the Hollywood's Garden of Allah saga, a series of historical novels set in Hollywood's heyday. If you like authentic and richly-detailed history, compelling and memorable characters, and seeing fiction and history seamlessly woven together, then you'll love Martin Turnbull's authentic portrayal of the City of Angels.

'Flip through the pages to see Hollywood's history come to life before your eyes.' (Publication summary)

'With their world under threat of invasion, Bronwyn and Blayke, two young realmists, are forced to leave all they’ve known to undertake a dangerous journey to learn the magic of the realms before everything they love is destroyed.

The young Realmists’ journey pushes them away from all they’ve known, to walk in the shadows toward Vellonia, city of the dragons, where an even darker shadow awaits.' (Publisher's blurb)