'A blank page brims with potential. It may incite a reflux of fear. It may unleash a prolonged bout of procrastination. For poets and storytellers of course, a blank page has immense potential to create new knowledge. As a writer working across genres and media, I think of the creation of new knowledge as involving an exploration of power, desire and change. In my writing practice, such explorations always begin with the intention to complicate my own fixed ideas about language, character and story shape, particularly in relation to identity. One way I do this is by recouping the compositional methodology of interrupting intersectionality, as writers have always done.' (Introduction)