'The revealing and candid memoir of Australia's legendary playwright and screenwriter
'The definitive memoir of David Williamson, author of iconic dramas such as The Removalists, The Club, Don's Party, Emerald City and Travelling North, as well as more than fifty other plays, explores the life of the writer and the true stories and real lives that inspired his works. A powerful force in theatre since the 1970s, Williamson's plays have uniquely explored the pulse of our Australianness.
'After five decades of chronicling the blunders, mishaps and messes that he and his fellow Australians got themselves into, Williamson has penned his long-awaited memoir, Home Truths. It reveals the story of the man behind the work: how a childhood defined by marital discord sparked a lifelong fascination with the power of drama to explore emotional conflict; how a mechanical engineering student became our most successful playwright; the anxiety that plagued him as he crafted his plays; the joy of connecting with an audience and the enduring sting of the critics; and the great love story that defined his personal life.
'Fearless, candid and witty, Williamson also writes about the plethora of odd, interesting, caustic and brilliant people - actors, directors, writers, theatre critics, politicians - who have intersected with his life and work: from a young Jacki Weaver and Chris Haywood in the first Sydney production of The Removalists in 1971, to Nicole Kidman on the brink of stardom in the 1988 feature film of Emerald City, and lively dinners with political powerhouse Paul Keating; and from Graham Kennedy in the 1976 film version of Don's Party through eventful overseas travels with Gareth Evans, Peter Carey, and Tim Winton to a West End production of Up for Grabs starring Madonna, and the satisfaction of seeing his sons, Felix and Rory, tread the boards in several of his own plays.' (Publication summary)
'Despite his critics, David Williamson created a remarkable body of popular work'
'Is playwright David Williamson a “Bad Art Friend”? The ethical questions raised by the viral New York Times article about two writers’ friendship, which imploded when one used the other’s kidney donation as inspiration for a short story without permission, reverberate through his memoir, Home Truths. In fact, the tale could be a Williamson play.' (Introduction)
'Is playwright David Williamson a “Bad Art Friend”? The ethical questions raised by the viral New York Times article about two writers’ friendship, which imploded when one used the other’s kidney donation as inspiration for a short story without permission, reverberate through his memoir, Home Truths. In fact, the tale could be a Williamson play.' (Introduction)
'Despite his critics, David Williamson created a remarkable body of popular work'
