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Nostalgia Has Ruined My Life
Artarmon
:
Giramondo Publishing
,
2021
21947227
2021
single work
novella
'‘From the discomfort of my own home I buy dresses, look up recipes, do online surveys.’ In Nostalgia Has Ruined My Life, an unnamed young woman in her late twenties navigates unemployment, boredom, chronic illness and online dating. Her activities are banal – applying for jobs, looking up horoscopes, managing depression, going on Tinder dates. ‘I want to tell someone I love them but there is no one to tell,’ she says. ‘Except my sister maybe. I want to pick blackberries on a farm and then die.’ She observes the ambiguities of social interactions, the absurd intimacies of sex and the indignity of everyday events, with a skepticism about the possibility of genuine emotion, or enlightenment. Like life, things are just unfolding, and sometimes, like life, they don’t actually get better. Zarah Butcher-McGunnigle’s novella-in-fragments blends artifice with sincerity, is darkly funny, and alive to the incongruous performance that constitutes getting by.'
Source : publisher's blurb
Works about this Work
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Joshua Klarica Reviews Nostalgia Has Ruined My Life by Zarah Butcher-McGunnigle
2022
single work
review
— Appears in: Mascara Literary Review , no. 28 2022;
— Review of From Nostalgia Has Ruined My Life 2021 extract novella'A technique commonly employed by poets is the announcing of the setting or theme of the piece in its title. Consider T. S Eliot’s poem ‘In a Station of the Metro’, whose title functions as a covert, preliminary line that allows the poem to maintain its effective couplet form. This device eliminates exposition in the work, and plants the reader in the thick of it immediately. Zarah Butcher-McGunnigle, the New Zealand writer whose first book Autobiography of a Marguerite takes the long poem form, utilises this same tactic in the title of her second work. Before we encounter the first words of Nostalgia Has Ruined My Life, the thesis has already been rambunctiously stated. Butcher-McGunnigle, it seems, insists that we view the impending labours of the unnamed protagonist through this prism, managing our expectations – ensuring we understand – before we read and, inevitably, pass judgment.' (Introduction)
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Joshua Klarica Reviews Nostalgia Has Ruined My Life by Zarah Butcher-McGunnigle
2022
single work
review
— Appears in: Mascara Literary Review , no. 28 2022;
— Review of From Nostalgia Has Ruined My Life 2021 extract novella'A technique commonly employed by poets is the announcing of the setting or theme of the piece in its title. Consider T. S Eliot’s poem ‘In a Station of the Metro’, whose title functions as a covert, preliminary line that allows the poem to maintain its effective couplet form. This device eliminates exposition in the work, and plants the reader in the thick of it immediately. Zarah Butcher-McGunnigle, the New Zealand writer whose first book Autobiography of a Marguerite takes the long poem form, utilises this same tactic in the title of her second work. Before we encounter the first words of Nostalgia Has Ruined My Life, the thesis has already been rambunctiously stated. Butcher-McGunnigle, it seems, insists that we view the impending labours of the unnamed protagonist through this prism, managing our expectations – ensuring we understand – before we read and, inevitably, pass judgment.' (Introduction)
