y separately published work icon Going Down Swinging Online periodical issue  
Issue Details: First known date: 2020... 2020 of Going Down Swinging Online est. 2016 Going Down Swinging Online
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Contents

* Contents derived from the 2020 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Find a Homophobe, Ask Her How It Tastesi"This love has no name, but it:", Madison Griffiths , single work poetry
Nikesi"How could I pack for the Philippines at a time like this?", Danny Silva Soberano , single work poetry
Caidai"The night of the morning", Jean Velasco , single work poetry
Circle Jerki"I wonder if our thumbs will evolve", Xanthe Dobbie , single work poetry
Morboi"It's a dark and stormy night out", Jean Velasco , single work poetry
Sound recording.
Chimera, Kim Waters , single work poetry
Still Life in September, Two Years Oni"I am here.", Maeve Baker , single work poetry
It Goes, I Had a Dream I Was Your Heroi"Call her dude, pass dude the spiff,", Madison Griffiths , single work poetry
Two Handsi"Hands up", Sukhjit Kaur Khalsa , single work poetry
The Singersi"In the end, it will be the singers who save", Eleanor Jackson , single work poetry
What Wouldn’t Take Root in the Cucamelon Gardeni"I pull cucamelons off his vines,", Clare Millar , single work poetry
You Can Never Be Wrongi"The fiddle fig died while you were away", Joshua Badge , single work poetry
Eggshellsi"When we weren’t cooped up indoors, the most gratifying thing", Kristen Tytler , single work poetry
In the Belly of the Trojan Horse, Ahmed Yussuf , single work essay

'When those in the literary scene talk about what may be wrong with modern Australian literature, we start and end at diversity. There's talk about how hard it is to change the space, a recognition of the lack of prominent representative bodies. There is no conversation around access, and who has access to this space. Instead, we suggest it's simply the addition of those bodies that will counter the reasons they weren't able to exist in the literary space to begin with.' (Publication abstract)

 

(Im)material Inheritances, Shu-Ling Chua , single work essay

'My phone’s lock screen is a photo of Ah Ma in her late teens at the beach, leaning against a fishing boat dragged on shore. She wears a short-sleeved white shirt tucked into high-waisted shorts. Her smile is enigmatic, framed by a puff of curls. I study the lighting, her careful grip on the boat’s rim, her elegantly bent leg. Shoulders back and chin tilted ever so slightly, Ah Ma glows with quiet self-assurance. When I first saw the photo, I had teased Mum, “Who’s this sexy lady?” I was shocked to learn she was my grandmother and wondered if glamour had skipped a generation.' (Introduction)

Playing K-Pop Here, Soo-min Shim , single work essay

'The Korean boy band Seo Taiji and the Boys appeared in a talent show on one of Korea’s major television networks in April 1992. They made history by incorporating rap, hip-hop and other American music trends in their music. Their appearance is regarded as a watershed moment, beginning Korean pop as we know it today.' (Introduction)

Swimming, and Other Unnatural Things, Patrick Lenton , single work short story
Tenderness, Emily Meller , single work essay

'For most of my adult life, I have believed that tenderness is a virtue. That if you can move through the world in touch with your emotions, you will be able to resist the some of the uglier shapes capitalism presses us into. No one had told me you could walk around being openly sensitive – not only having a lot of feelings, but telling your friends and family about them. I thought it was weird, and then I started practising my own beta-version of radical vulnerability, mostly pieced together from things I read on social media without much engagement with the serious intellectual works underpinning it. The results were still surprising: I felt better, then okay, and then sometimes even good. So I adopted it as personal philosophy, failing to ask any of the hard questions I should have.' (Introduction)

On Chickens, Caitlin McGregor , single work essay
'When I dream of apocalypse (which is increasingly often), I dream I am counting my chickens. In the waking world, I also live with a child, a man, two dogs, four cats and a lot of vegetable plants, and the ongoing survival of all these beings is what gets me out of bed in the mornings. But when I’m asleep and the world is on fire, I run to save only my chooks.' 

 (Introduction)

Mincing, Carly Stone , single work essay

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 3 Sep 2021 11:21:10
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