The Weight of an Empty Room single work   essay  
Issue Details: First known date: 2021... 2021 The Weight of an Empty Room
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'Very little is known about Louis-Jacques-Napoléon Bertrand, whose literary pseudonym was Aloysius Bertrand. His biography consists of a series of fragments pieced together and is recited in scholarship and various encyclopedia. He was born on 20 April 1807 in Ceva, Piedmont, Italy and died when he was 34 years old on 29 April 1841 in Paris. In 1815 his family moved to Dijon, an ancient city that fascinated Bertrand, where he studied at the Collège Royal from 1818 to 1826. He contributed literary works to a local newspaper, which he managed, and — following a letter from Victor Hugo — travelled to Paris in 1828. There he met a variety of literary figures, including the poet Émile de Saint-Amand Deschamps and the famous literary critic, Charles Augustin Sainte-Beuve. Failing to establish himself among the Paris literati, he returned to Dijon and became involved once more with newspaper publishing. His journalism reflected his strong Republican views. In 1933 he returned to Paris and probably in that year completed Gaspard de la nuit — Keith Waldrop says it was ‘written over a period of years’ (Baudelaire 2009: xi) — as well as a play, Peter Waldeck ou la chute d’un homme. He proposed unsuccessfully to a woman named Célestine. From 1835 to 1837 he borrowed a considerable amount of money before contracting tuberculosis, becoming seriously ill. He was hospitalised for extended periods and eventually died of the combined effects of the disease and starvation. His ground-breaking Gaspard was published posthumously in 1842 in an error-filled volume, selling 20 copies.' (Introduction)

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    y separately published work icon Axon : Creative Explorations Poetry as Speculation vol. 11 no. 1 July 2021 22531509 2021 periodical issue

    'This issue of the Axon journal investigates ways in which contemporary poetry speculates about the world, modes of being, reality, creativity, writing itself and ways of understanding the quotidian.

    'The period in which these various articles and poems were written (or at least submitted) was one in which the quotidian itself had been anything but predictable. Things that we had long assumed to be part of everyday life were out of reach, new and strange familiarities taking their place. Perhaps, in this respect, our general experience of the world could be said to have verged, through this phase, towards the unusual perspectives that poetry has given us so compellingly through the ages. Many more of us, I suspect, have been pushed towards greater introspection — and reflection. It is fascinating how those two things go together, as Paul Venzo articulates so well here, firstly in relation to sonnets by Petrarch and Shakespeare, but by extension to many contemporary sonnets, which ‘continue to encourage us to speculate on our position in the world: not just our relationship to others, but also to ourselves’.' (Introduction)

    2021
Last amended 2 Aug 2021 15:33:07
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