'In 2020, I conducted a study of five Australian theatre companies that have toured to China over the last decade. This article draws on a study of three of those theatre companies: Windmill Theatre Co., Insite Arts and Red Stitch Actors' Theatre. It examines the development of three productions by the companies and the extent of their adaptation for audiences in China. The case study productions include 'Baba Yaga', a children's play and co-production between Adelaide's Windmill Theatre Co. and Scotland's Imaginate; 'Saltbush', an immersive theatre production from Insite Arts; and 'desert, 6.29pm', a play produced by the Red Stitch Actors' Theatre, who were invited to perform at the Wuzhen Theatre Festival in 2018.' (Publication abstract)