image of person or book cover 6925541387277463352.jpg
Image courtesy of publisher's website.
Issue Details: First known date: 2021... 2021 Not Dead Yet : Feminism, Passion and Women's Liberation
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the North Melbourne, Flemington - North Melbourne area, Melbourne - North, Melbourne, Victoria,:Spinifex Press , 2021 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Sisterhood Is Still Powerful : Maintaining the Rage, Susan Hawthorne , Renate Klein , single work essay
The New Old Woman, Robin Morgan , single work essay
Against a Hierarchy of Oppressions, Linda Bellos , single work essay
1945, Coleen Clare , single work essay
Women's Liberation Now and Then, Sheila Jeffreys , single work essay
A 'Sweetie' I Am Not!, Betty McLellan , single work essay
Dadirri, Judy Atkinson , single work essay
The Homeward Star, Carol Lefevre , single work essay
Emily's Mermaid, Patricia Sykes , single work essay
Onwards, Cheryl Adam , single work essay
Never Underestimate the Power of a Group of Radical Feminists, Renate Klein , single work essay
A Proud Woman, Catherine Johns , single work essay
Mary Stuart Queen of Scots, Jena Woodhouse , single work essay
Still so Much to Do, Denise Thompson , single work essay
Phone Call in the Year of COVID-19, Sandra Shotlander , single work essay
Our House, Elizabeth Ward , single work essay
Great-Grandmother's Disturbing Encounter at Checkout, 8:00 A.m.. Woolworths at Kenmore, February 2021, Carole Ferrier , single work essay
I Am Impatient, Judy Atkinson , single work essay
The Light Is in the Blood, Elaine D'Esterre , single work essay
Plunging In : Life and Times in the 1970s, Susan Varga , single work essay
X