'Sinéad Stubbins writes paragraphs the way some people write entire short stories. In the space of three or four lines she has sketched out a narrative, led you to believe you know where it’s going, and then, right near the end, turned off in another direction. From there she carries on talking about the bigger idea she’s dissecting as though nothing has happened. It’s remarkable how effortless she makes it seem. An anecdote about watching Jurassic Park morphs into a brief comment on hypocrisy. A description of trying to figure out what a cocktail dress is suddenly becomes a high-stakes reference to Icarus flying too close to the sun. The movie Point Break somehow becomes the perfect analogy for gastrointestinal upset.' (Introduction)