Cirrus@Austlit

'This essay seeks to understand how J. M. Coetzee's In the Heart of the Country elaborates a response to the suffering body through linguistic indeterminacy, including its formal and structural presentation of numbered and often contradictory passages and through the liminality of the narrator Magda's consciousness. Grounding the paper on the possibility that In the Heart of the Country functions through its lacunae, I argue that Magda rewrites the oppressive language she has inherited by pointing to realities words cannot grasp, including the irreducible witness of the body in pain. The body stands as an incontrovertible presence just outside the reach of language, where, in its refusal to be codified, it catalyses new, transgressive attempts at speaking. Such attempts function as a body-speech that could transform the speaking-about of Magda's monologue into the speaking-to of reciprocity. It is a language that Magda, however, ultimately fails to articulate. She remains suspended in potentiality, reading the signals "in conformations of face and hands" that communicate, incompletely, the mysteries of another's being. But perhaps the act of speaking to another must always remain poised on the brink of failure: response to the unknown of another's being requires an unrecorded grammar. Thus, in the lacunae of his unfixed text, Coetzee offers a linguistic event as response to actual suffering.' (Publication summary)