Issue Details: First known date: 2021... 2021 ‘The Talented Mr. Mallory’ : Literary Scammers, Pain-for-profit, and Selves Made of Others
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AbstractHistoryArchive Description

'In 2019, Dan Mallory, book editor turned author of the enormously successful thriller, The Woman in the Window, was exposed as a pathological dissembler. Faking cancer, an Oxford PhD, a prestigious career, and tragic family deaths, Mallory constructed a distressing history in order to gain authority and influence. Examining the complexities of the fraud in relation to other contemporary fakes, this paper contends that impostors expose the value systems of power, especially those situated within gatekeeping institutions that enable grifters to thrive. It asserts that despite humiliating exposure, or the excoriation of outraged readers, the impostor invariably succeeds, perpetuating an exclusive monoculture in which the same voices, both real and imagined, are heard and received. The Mallory controversy emerges within a succession of impostures fixated on crossing boundaries from privilege to disadvantage and trauma, revealing an identity politics located within the commodification of the marketable ‘other’. The hunger for narratives of ‘authentic’ suffering comes to represent a form of literary virtue signalling which exploits ‘otherness’ to satisfy middle-class stereotypes and prejudices. Imbricated with issues of appropriation and theft, the fake treats suffering as an object to be possessed, yet also functions to uncover a sequence of literary and cultural fault-lines.'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon New Writing vol. 18 no. 2 2021 21790927 2021 periodical issue

    'I am not asking if it is difficult. It can be. What I am asking is if it is a doctorate in the field of rocket science. Clearly, it is not. In fact, it should not be a doctorate in any other field than creative writing. Yet, over and over again, we find this simple fact misunderstood or misrepresented or misinterpreted. I admit I used to blame colleagues in English and Literary Studies for attempting to bend creative writing study (the methods, philosophies behind the degree, outcomes) to their disciplinary will. But I was wrong – English Literature Departments are not to blame, Literary Studies is not the culprit here. Nor is Cultural Studies, Film and Media Studies, Theatre Studies, Writing Studies, Composition Studies, or Biomedical Studies or Legal Studies, for that matter. If the Doctorate in Creative Writing might as well be a Doctorate in Rocket Science we have no one to blame but ourselves.' (Editorial introduction)

    2021
    pg. 197-212
Last amended 13 May 2021 14:48:58
197-212 ‘The Talented Mr. Mallory’ : Literary Scammers, Pain-for-profit, and Selves Made of Otherssmall AustLit logo New Writing
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