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QUEENSLANDER ZENOBIA FROST’s poetics across books, and Twine projects, shows a keen interest in class and its relationship to place. Her poems enter into the structures Australians occupy in their daily lives, houses, office buildings, and even graves, speaking to the ghosts that occupy them. Her first book, Salt and Bone, published in 2014 with Walleah Press in Tasmania, examined cemetery history and the impacts of class on graveyard security. Frost has received a number of fellowships and premier Australian literary awards, and is a programming director at the Queensland Poetry Festival. Her latest book, After the Demolition, presents the reader with a sumptuous poetics of architecture and loss. The poems are tender queer domestic portraits as much as they are encapsulations of the state of flux that is being a lifelong renter. We corresponded about the housing crises in both the United States and Australia, the relationship between architecture and the body, poems as houses, writing through grief, and contemporary Australian poetics over several days in January 2021.' (Introduction)
