Cirrus@Austlit

'THE VILLANELLE OCCUPIES an unstable canonical history. Jean Passerat’s “J’ay perdu ma Tourterelle” (written in 1574, published in 1606) is the only example of the form dating from t he Renaissance, though as The Princeton Encyclopedia of Poetry and Poetics (4th ed.) notes, it was Théodore de Banville’s “popular handbook Petit traité de poésie française, [that gave rise to] the mistaken belief that the villanelle was an antique form,” a belief that “persisted tenaciously throughout the nineteenth and twentieth centuries.” In some contexts, the misapprehension persists: see, for example, the claims made on Poetica, aired regularly until somewhat recently on Australia’s national broadcast network: “The villanelle was embraced by the musician-poets of twelfth-century France; the troubadours of Provençal and the trouvères of the north, but its origin is Italian.”' (Introduction)