Cirrus@Austlit

'Prussia, 1836

'Hanne Nussbaum is a child of nature — she would rather run wild in the forest than conform to the limitations of womanhood. In her village of Kay, Hanne is friendless and considered an oddity...until she meets Thea.

'Ocean, 1838

'The Nussbaums are Old Lutherans, bound by God's law and at odds with their King's order for reform. Forced to flee religious persecution the families of Kay board a crowded, disease-riddled ship bound for the new colony of South Australia. In the face of brutal hardship, the beauty of whale song enters Hanne's heart, along with the miracle of her love for Thea. Theirs is a bond that nothing can break.

'The whale passed. The music faded.

'South Australia, 1838

'A new start in an old land. God, society and nature itself decree Hanne and Thea cannot be together. But within the impossible ... is devotion.

'This long-awaited novel demonstrates Hannah Kent's sublime ability with language that creates an immersive, transformative experience for the reader. Devotion is a book to savour.' (Publication summary)

'Life can be beautiful if you make it beautiful. It is up to you. Eddie Jaku always considered himself a German first, a Jew second. He was proud of his country. But all of that changed on 9 November 1938, when he was beaten, arrested and taken to a concentration camp. Over the next seven years, Eddie faced unimaginable horrors every day, first in Buchenwald, then in Auschwitz, then on the Nazi death march. He lost family, friends, his country. Because he survived, Eddie made the vow to smile every day. He pays tribute to those who were lost by telling his story, sharing his wisdom and living his best possible life. He now believes he is the 'happiest man on earth'. Published as Eddie turns 100, this is a powerful, heartbreaking and ultimately hopeful memoir of how happiness can be found even in the darkest of times.' (Publication summary)

'For readers of Station Eleven and Everything I Never Told You, a debut novel set on the brink of catastrophe, as a young woman chases the world’s last birds – and her own final chance for redemption.

'A dark past. An impossible journey. The will to survive.

'How far you would you go for love? Franny Stone is determined to go to the end of the earth, following the last of the Arctic terns on what may be their final migration to Antarctica.

'As animal populations plummet and commercial fishing faces prohibition, Franny talks her way onto one of the few remaining boats heading south. But as she and the eccentric crew travel further from shore and safety, the dark secrets of Franny’s life begin to unspool. A daughter’s yearning search for her mother. An impulsive, passionate marriage. A shocking crime. Haunted by love and violence, Franny must confront what she is really running towards – and from.

'The Last Migration is a wild, gripping and deeply moving novel from a brilliant young writer. From the west coast of Ireland to Australia and remote Greenland, through crashing Atlantic swells to the bottom of the world, this is an ode to the wild places and creatures now threatened, and an epic story of the possibility of hope against all odds.'

Source: Publisher's blurb

'Do you ever really know your neighbours?

'The safest suburbs often hold the deepest secrets. Such is the case for Essie, a mother of two. In a moment of maternal despair she once made a terrible mistake, one she will always regret. Essie has since recovered, but she fears what may still lurk inside her.

'Her neighbours in Pleasant Court have their own issues. Driven and organised, Ange appears to have everything under control, except perhaps her husband. Practical, intellectual Fran can't stop running. For exercise, or something else?

'One day in February, during an unprecedented Melbourne heatwave, someone new arrives. Isabelle is single and childless, when everyone else is married with kids. She is renting, when everyone else owns. Her job is mysteriously vague. Strangest of all, Isabelle is very curious about her neighbours. Too curious, some might say.

'It soon becomes clear that Isabelle's choice of neighbourhood was no accident. And her presence might bring even more secrets to light...' (Publication summary)

'Discovery. Desire. Deception. A wondrously imagined tale of two female botanists, separated by more than a century, in a race to discover a life-saving flower . . .

'In Victorian England, headstrong adventuress Elizabeth takes up her late father's quest for a rare, miraculous plant. She faces a perilous sea voyage, unforeseen dangers and treachery that threatens her entire family.

'In present-day Australia, Anna finds a mysterious metal box containing a sketchbook of dazzling watercolours, a photograph inscribed 'Spring 1886' and a small bag of seeds. It sets her on a path far from her safe, carefully ordered life, and on a journey that will force her to face her own demons.

'In this spellbinding botanical odyssey of discovery, desire and deception, Kayte Nunn has so exquisitely researched nineteenth-century Cornwall and Chile you can almost smell the fragrance of the flowers, the touch of the flora on your fingertips . . .' (Publication summary)

'The most enchanting debut novel of 2018, this is an irresistible, deeply moving and romantic story of a young girl, daughter of an abusive father, who has to learn the hard way that she can break the patterns of the past, live on her own terms and find her own strength.

'An enchanting and captivating novel, about how our untold stories haunt us - and the stories we tell ourselves in order to survive.

'After her family suffers a tragedy, nine-year-old Alice Hart is forced to leave her idyllic seaside home. She is taken in by her grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak.

'Under the watchful eye of June and the women who run the farm, Alice settles, but grows up increasingly frustrated by how little she knows of her family's story. In her early twenties, Alice's life is thrown into upheaval again when she suffers devastating betrayal and loss. Desperate to outrun grief, Alice flees to the dramatically beautiful central Australian desert. In this otherworldly landscape Alice thinks she has found solace, until she meets a charismatic and ultimately dangerous man.

'Spanning two decades, set between sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, The Lost Flowers of Alice Hart follows Alice's unforgettable journey, as she learns that the most powerful story she will ever possess is her own.'

Source: Publisher's blurb.

'Five women reluctantly pick up their backpacks and start walking along the muddy track. Only four come out the other side.

'The hike through the rugged Giralang Ranges is meant to take the office colleagues out of their air-conditioned comfort zone and teach resilience and team building. At least that is what the corporate retreat website advertises.

'Federal Police Agent Aaron Falk has a particularly keen interest in the whereabouts of the missing bushwalker. Alice Russell is the whistleblower in his latest case - in just a matter of days she was to provide the documents that will bring down the company she works for.

'Falk discovers that far from the hike encouraging teamwork, the women tell a tale of suspicion, violence and disintegrating trust. But does it include murder?' (Publication summary)

'Someone once told me that you have two families in your life - the one you are born into and the one you choose. Yes, you may get to choose your partner, but you don't choose your mother-in-law. The cackling mercenaries of fate determine it all.

'From the moment Lucy met Diana, she was kept at arm's length. Diana is exquisitely polite, but Lucy knows, even after marrying Oliver, that they'll never have the closeness she'd been hoping for.

'But who could fault Diana? She was a pillar of the community, an advocate for social justice, the matriarch of a loving family. Lucy had wanted so much to please her new mother-in-law.

'That was ten years ago. Now, Diana has been found dead, leaving a suicide note. But the autopsy reveals evidence of suffocation. And everyone in the family is hiding something...'

Source: Publisher's blurb.

'John Hughes meets John Green in this irresistible story of first love, broken hearts and the golden seams that put them back together again.

'Henry Page has never been in love. He fancies himself a hopeless romantic, but the slo-mo, heart palpitating, can't-eat-can't-sleep kind of love that he's been hoping for just hasn't been in the cards for him – at least not yet. Instead, he's been happy to focus on his grades, on getting into an Ivy League college and finally becoming editor of his school newspaper. Then Grace Town walks into his first period class on the third Tuesday of senior year and he knows everything's about to change.

'Grace isn't who Henry pictured as his dream girl – she walks with a cane, wears oversized boys' clothes and rarely seems to shower. But when Grace and Henry are both chosen to edit the school paper, he quickly finds himself falling for her. It's obvious there's something broken about Grace, but it seems to make her even more beautiful to Henry and he wants nothing more than to help her put the pieces back together again. And yet, this isn't your average story of boy meets girl. Krystal Sutherland's brilliant debut is equal parts wit and heartbreak, a potent reminder of the bittersweet bliss that is first love.' (Publication summary)

'A novel of the cruelty of war, and tenuousness of life and the impossibility of love.

'August, 1943. In the despair of a Japanese POW camp on the Thai-Burma death railway, Australian surgeon Dorrigo Evans is haunted by his love affair with his uncle's young wife two years earlier. Struggling to save the men under his command from starvation, from cholera, from beatings, he receives a letter that will change his life forever.

'This savagely beautiful novel is a story about the many forms of love and death, of war and truth, as one man comes of age, prospers, only to discover all that he has lost.' (Publisher's blurb)

'The fires on the hills smouldered orange as the women left, pockets charged with ashes to guard them from the night. Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark.

'"Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them."

'Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference.

'Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house.

'Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...' (Publication summary)

'In northern Iceland, 1829, Agnes Magnusdottir is condemned to death for her part in the brutal murder of two men.

'Agnes is sent to wait out the time leading to her execution on the farm of District Officer Jon Jonsson, his wife and their two daughters. Horrified to have a convicted murderess in their midst, the family avoids speaking with Agnes. Only Toti, the young assistant reverend appointed as Agnes's spiritual guardian, is compelled to try to understand her, as he attempts to salvage her soul. As the summer months fall away to winter and the hardships of rural life force the household to work side by side, Agnes's ill-fated tale of longing and betrayal begins to emerge. And as the days to her execution draw closer, the question burns: did she or didn't she?

'Based on a true story, Burial Rites is a deeply moving novel about personal freedom: who we are seen to be versus who we believe ourselves to be, and the ways in which we will risk everything for love. In beautiful, cut-glass prose, Hannah Kent portrays Iceland's formidable landscape, where every day is a battle for survival, and asks, how can one woman hope to endure when her life depends upon the stories told by others?' (Publisher's blurb)

After twenty years of peacefully running one of the Empire’s settlements, a magistrate takes pity on an enemy barbarian who has been tortured. He enters into an awkward intimate relationship with her, and then is himself imprisoned as an enemy of the state.

Waiting for the Barbarians is a disturbing political fable about oppression, the fraught desire for reparation, and about living with a troubled conscience under an unjust regime.'

Source: Publisher's blurb.