y separately published work icon Quadrant periodical issue  
Issue Details: First known date: 2019... vol. 63 no. 11 November 2019 of Quadrant est. 1957 Quadrant
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Contents

* Contents derived from the , 2019 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Rhymei"A half good reason looking for a rhyme", James Lucas , single work poetry (p. 13)
Alcoholic Nose, Joe Dolce , single work poetry (p. 19)
Brown Snake Crossoveri"Waltzing the track,", Joe Dolce , single work poetry (p. 19)
Mowing the Fields of Elysiumi"Brilliant Buddha gold", Joe Dolce , single work poetry (p. 19)
The Pied Piper of Hamilton : Variations on a Danse Macabrei"I tap my navi on the screen", Bryan Coleborne , single work poetry (p. 32)
Terra Incognitai"The printer does an extra sheet", Bryan Coleborne , single work poetry (p. 33)
House Under Constructioni"there is not much warmth", Rohan Buettel , single work poetry (p. 37)
The Dolphini"One morning drive, a lonely ocean way", Rohan Buettel , single work poetry (p. 37)
Appraisali"The wind soughs smooth ’round the boundaries", Helene Castles , single work poetry (p. 43)
The Final Editi"The notes", Helene Castles , single work poetry (p. 43)
Negotiationi"A quiet calm descends upon the scene,", Helene Castles , single work poetry (p. 43)
Hal Colebatch, an Engish-Australian Identity, Patrick Morgan , single work obituary
'The Western Australian author Hal Colebatch, born in 1945, died unexpectedly on September 9 during a stay in a Perth hospital. His personality settled early, and was not for turning. A tall, thin six-foot-sixer with a deep voice and commanding, even formidable, personality, he was not easily forgotten. But he did not use these qualities to push himself; he was at the same time reticent about explaining his deepest feelings, realising that they were increasingly at a discount. An adamantine stance on many issues limited his range of acquaintances. An aura of distance, even separation, marked him. He divulged no personal mood changes nor inner feelings to the public. He was not swayed by what others thought about him, having the courage to stick to his unfashionable guns. But in later life his views became more mainstream, as many former liberals, refugees from the counter-culture, and appalled by the shrinking focus of identity politics, came to understand the value of the traditional beliefs which Hal always adhered to.' (Introduction)
 (p. 44-46)
First Kissi"Between her harbourside and mine", Stephen Goldrick , single work poetry (p. 46)
What’s in a Name? (2)i"Entitled only by the dash", Graeme Hetherington , single work poetry (p. 47)
Mergingi"I’m lucky in old age to dwell", Graeme Hetherington , single work poetry (p. 47)
The Messagei"Home again, red light flashing on the machine", Rohan Buettel , single work poetry (p. 57)
All Night I Dream a Porschei"All night I dream", Keith Russell , single work poetry (p. 64)
Leaf-Curling Spideri"The eye’s blood spot, or else fire licks", James Lucas , single work poetry (p. 69)
Ekphrasis on a Possible Joke (Church-going)i"The congregation’s mostly sixty-ish", Nathaniel Lucas , single work poetry (p. 85)
Oxytocini"She sat down on him near the fire,", Nathaniel Lucas , single work poetry (p. 85)
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