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'The vistas of Rosalee Kiely’s poems in Creature are not landscape paintings. A landscape is usually devoid of animal life – apart from the occasional grazing ungulate if painted in the pastoral mode – and is, by necessity, still: a moment suspended in time. By contrast, Kiely’s poems are teeming with fauna, including that seemingly most perverse of species, homo sapiens. These are lively, life-documenting poems, often darkly comic but sometimes darkly sombre.' (Introduction)
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