'There are two sorts of subjects that exercise particular allure to a biographer: those that do not want a biography written about them, and go to various lengths to thwart the efforts of a would-be biographer, and those who have written their own life story, or related aspects of that story, and for whom the telling of that story formed a significant part of their wider intellectual project. Judith Wright, as Georgina Arnott’s The Unknown Judith Wright reveals, fell into both categories.' (Introduction)