Cirrus@Austlit

'Angie (Marshall) could have been one of Australia’s leading musicians, but she sabotaged her own career. Now in her forties, she’s dying and alone – but determined to record one last album. Money is tight and the odd gig at the local pub doesn’t exactly fill the coffers. When she meets teenage runaway Ruby (Maisie Owens), the pair form an unlikely bond. Angie teaches her to play the guitar and write songs, but despite their closeness Angie just can’t bring herself to tell Ruby the truth about her illness.'

Source: Sydney Film Festival. 

'Although box office receipts for the theatrical release of movies have remained consistently high over the past decade, this tends to mask a slow erosion in the frequency of movie-going among the Australia population. Australians, it appears, are gradually losing the habit of going to the movies. This decline sits in marked contrast to increasing numbers of audiences preferring to engage with cinematic content through VOD and other digital platforms. Our engagement with industry stakeholders highlights the concerns of the Australian distribution and exhibition sectors of the industry about competition from a range of competing leisure and entertainment opportunities for Australian consumers. In this paper we argue that it is vital for the local industry to revise its current model of movie-going audiences, in order to better understand what consumers think about the ‘cinematic experience’ and how they value this experience in relation to the variety of competition from other leisure and entertainment experiences. We outline the opportunities to draw from insights across multiple disciplinary fields, in particular to explore the implications of applying ‘the customer journey’ to understanding the variety of social and material factors which may be in play in informing the decision-making of movie-going audiences.' (Publication abstract)