Cirrus@Austlit

'Cecil Holmes’s Three in One (1956) represents one of the highpoints of postwar Australian cinema, reframing the common or characteristic theme of “mateship” within more explicitly leftist contexts. But what is most remarkable about the film – which is admittedly uneven in quality, possibly inevitably so considering its tripartite form – is its visual style, both reaffirming and transforming the common preoccupations commonly found in Australian landscape cinema. Also significant are the international models of filmmaking aesthetics that it openly draws upon, ranging from Soviet Montage to Italian neorealism. These plainly visible influences also betray Holmes’s cinephilia; he was a key figure in the New Zealand film society movement of the 1940s, and ran a company, New Dawn Films, that distributed European cinema later in the 1950s.' (Introduction)