Arriving in Gaeta single work   poetry   "shifting landscape blurs days"
Issue Details: First known date: 2020... 2020 Arriving in Gaeta
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Notes

  • Epigraph: ‘The Mediterranean, at least – the Atlantic is brown – is always just white, white, white.’ —Cy Twombly

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon TEXT Special Issue Website Series Indian-Australian Exchanges through Collaborative Poetic Inquiry no. 60 October 2020 20757143 2020 periodical issue

    'Poetry, it seems to me, raises the questions of margins and marginality in obvious ways … and yet poetry is central in terms of its contribution to language and thought. (Hecq 2005)

    'Liminality indicates a border, a line, and thus some style of crisis – some turn, or act of turning, of crossing from one place or state to another (Meads 2019: 5). It is the discovery of a limit, and simultaneously, realisation that the limit is not the end. There is always some further into and through which to step. What seems a wall is a skin is an interstice is warping, stretching, porous. Like the ‘/’ in the ‘im/possible’ and ‘both/and’, such lines are zones, spaces, gaps for opening and unfolding, sites for play and experimentation, for testing, dreaming, discovering. The liminal is thus imbued with potential: hitherto-unthought thoughts become articulable, letting new knowledges and ways of knowing come to be (Meads 2019: 5-6).' (Jaydeep Sarangi and Amelia Walker, (Introduction)

    2020
  • Appears in:
    y separately published work icon Teesta Review : A Journal of Poetry Interliminal Encounters : Indian and Australian Writers in Po(i)etic Dialogue vol. 5 no. 2 November 2022 25715269 2022 periodical issue '‘Let us flow like the river’, I read frequently in the email signatures of my esteemed colleague and Editor-in-Chief of Teesta Journal, Jaydeep Sarangi. No matter how many times I see these words, I never tire of them, and never fail to feel myself smile as I read them. They evoke thought of the mighty Teesta River, which courses through such diverse terrains, feeding and connecting many otherwise very different people and cultures. The river as symbol says so much about what poetry at its best can be, and of the reasons why it matters. In multiple senses, poetry flows, and allows us to flow. It flows both from and towards – from experiences, emotions, thoughts, situations, responses, and often other poems; and towards new insights, connections, possibilities, and actions, including actions of inspiring or creating more poems.' (Editorial introduction) 2022
Last amended 16 Nov 2020 09:16:51
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