Cirrus@Austlit

'Chernobyl occupies a complex space in the Western cultural imagination, complicated by science fiction fantasies, crime thrillers, military-style video games, haunting photo installations, and a recent HBO drama series focusing on the nuclear disaster. While the devastation of the reactor is often regarded as a ‘dark metonym for the fate of the Soviet Union’ (Milne 2017: 95), the nuclear crisis is also at the centre of increasing anxieties about the ‘fate of future generations, species extinction and the damage done to the environment’ (93). Indeed, the enormity of Chernobyl, like Hiroshima, Nagasaki, and Fukushima, is often regarded as beyond representation. By examining a range of poems produced by Chernobylites or derived from witness testimonies, we argue that in confronting the unthinkable, poetry is uniquely able to convey the inexpressible and abject horror of nuclear destruction. Further, in considering the potential for commodification in writing about sites of tragedy, we define poetry about the Chernobyl nuclear disaster as an example of ‘dark poetry’ – that is, poetry exploring or attempting to imagine or reanimate examples of dark tourism. We specifically explore this example of dark poetry to contend that while it often lobbies for nuclear international cooperation, it can also be read as exploitative and romanticising the macabre spectacle of nuclear explosion.' (Publication abstract)