'Judyth Emanuel’s Yeh Hell Ow (Adelaide Books, 2019) is a work of suburban (high) modernism, a successor to Joyce, or Woolf and worthy contemporary of Eimear McBride and Claire Louise Bennett, transplanted into tropical suburbs and surgically given a new tongue. It is a novel that plays on the unsteady, even drunken relationship between sound and meaning (and colour: yeh hell ow…), and the equally unstable relationship between what we think and what we say.' (Introduction)