image of person or book cover 7953326818010152118.jpg
Image courtesy of publisher's website.
y separately published work icon Carnifex single work   novel   horror  
Issue Details: First known date: 2016... 2016 Carnifex
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AbstractHistoryArchive Description

'Jurassic Park meets Wolf Creek

'Carnifex: Butcher. Torturer. Executioner.

'A holiday in the Australian outback turns deadly as five tourists find themselves locked in a desperate struggle for survival after stumbling into the hunting grounds of a predator long thought extinct.'

Source: Publisher's blurb.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • c
      Australia,
      c
      :
      Matthew J. Hellscream ,
      2016 .
      image of person or book cover 7953326818010152118.jpg
      Image courtesy of publisher's website.
      Extent: 252p.p.
      Note/s:
      • Dedication: For Ryley. Love you, dude.
      • Supported through a Kickstarter campaign.

Works about this Work

Small but Mighty, the Power of the Donkey : Adelaide International Film Festival Saige Walton , 2023 single work criticism
— Appears in: Senses of Cinema , January no. 104 2023;

'Dubbed a “celebration of the imagination”, AFF expanded its scope in 2022 to include new venues across the city (Her Majesty’s Theatre, the Capri Theatre Goodwood), also touring films in regional sites and locations. A dedicated emphasis on youth, music and genre was evident throughout the festival’s programming: from the bone-crackling Huesera: The Bone Woman (Michelle Garza Cervera) (a great Mexican take on the ‘monstrous-feminine’) to a younger set of local Australian filmmakers who rose to the fore through their re-inventions of horror and science fiction. Across the festival, vulnerability (be it human, animal, ecological) emerged as a recurring theme. One particular animal, the humble donkey, appeared time and again in the festival’s standout international titles, calling attention to its vulnerable, creaturely presence.' (Introduction)

Small but Mighty, the Power of the Donkey : Adelaide International Film Festival Saige Walton , 2023 single work criticism
— Appears in: Senses of Cinema , January no. 104 2023;

'Dubbed a “celebration of the imagination”, AFF expanded its scope in 2022 to include new venues across the city (Her Majesty’s Theatre, the Capri Theatre Goodwood), also touring films in regional sites and locations. A dedicated emphasis on youth, music and genre was evident throughout the festival’s programming: from the bone-crackling Huesera: The Bone Woman (Michelle Garza Cervera) (a great Mexican take on the ‘monstrous-feminine’) to a younger set of local Australian filmmakers who rose to the fore through their re-inventions of horror and science fiction. Across the festival, vulnerability (be it human, animal, ecological) emerged as a recurring theme. One particular animal, the humble donkey, appeared time and again in the festival’s standout international titles, calling attention to its vulnerable, creaturely presence.' (Introduction)

Last amended 19 Oct 2020 14:44:15
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