Lifeline : An Extract single work   drama   extract  
Issue Details: First known date: 2017... 2017 Lifeline : An Extract
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AbstractHistoryArchive Description

'This creative paper contains an extract of Lifeline––a short thriller play presented in the 2016 Adelaide Fringe. Lifeline explores the ramifications of metadata retention and social media information falling into the hands of a character with malicious intentions, in the case ofthe play, a character called ‘Lewis’, who uses the personal information of a man named ‘Guy’ to manipulate him into performing heinous acts. The extract details the section of the play following the opening, where Lewis begins to reveal the far-reaching consequences of being able to access Guy’s personal information through a combination of his details (birthdate, full name, address) and billing information (banking details, credit card information, and purchase history). The play explores the consequences of storing personal details in a mediatized environment, and the consequences of not understanding the legislation that is designed around personal identity. It also details other aspects of cyberspaces that are often misunderstood––the Darkweb, the ease in which someone can steal personal information, and how unsecure information is when there is access to metadata through telecommunications services.'

Source: Abstract.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Authorised Theft Papers : Writing, Scholarship, Collaboration The Authorised Theft Papers : Writing, Scholarship, Collaboration : Papers – The Refereed Proceedings Of The 21st Conference Of The Australasian Association Of Writing Programs, 2016 Niloofar Fanaiyan (editor), Rachel Franks (editor), Jessica Seymour (editor), Canberra : The Australasian Association of Writing Programs , 2017 20512298 2017 anthology criticism

    'The 21st annual conference of the AAWP invited writers and academics to respond to the idea that, as writers, we are engaging in a type of ‘authorised theft’. Over 100 delegates responded enthusiastically by presenting papers that straddled genres, disciplines, modes of expression, as well as languages and cultures. Panel topics included sociologies of writing, poetry and song, narrative and narrative modes, responses to pain and trauma, digital literature and the online space, memoir/biography and travel writing, identity and voice, oral storytelling and ways of knowing, as well as translation and cross-cultural encounters.'

    Source: Introduction.

    Canberra : The Australasian Association of Writing Programs , 2017
Last amended 16 Oct 2020 11:38:01
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