That Danged Gizmo single work   short story  
Issue Details: First known date: 2017... 2017 That Danged Gizmo
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AbstractHistoryArchive Description

'‘That danged gizmo’ emerges from collaborative practice between two culturally diverse authors: a retired American living in Georgia, and an African Australian living in Melbourne. The writerly alliance sees one author focus on characterisation (‘deep south’ dialogue), and the other on literary elements (playfulness with language, style and structure), both in quests to contribute to the quality of form in the work of science fiction. Each author approaches the writing with their own knowledge, their own biases, their own craft. Together, while navigating inherent challenges in multiplicity of voice, the artists reinvent discrete ideas and apply creative practice into a collective storytelling. Collaborative practice is a type of theft where literature is made up, where a multiplicity is endowed with significance. The success of multi-authored work relies on the participants’ ability to negotiate their diversity, adopt each other’s creativity and engender uniqueness to an artistic formation that is singular, seamless to the reader. In a contemporary context of digital and cyber realms, ‘That danged gizmo’ borrows from science fiction as a kind of hyperreality, where a machine destabilizes the relationship between a man and his wife.'

Source: Abstract.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Authorised Theft Papers : Writing, Scholarship, Collaboration The Authorised Theft Papers : Writing, Scholarship, Collaboration : Papers – The Refereed Proceedings Of The 21st Conference Of The Australasian Association Of Writing Programs, 2016 Niloofar Fanaiyan (editor), Rachel Franks (editor), Jessica Seymour (editor), Canberra : The Australasian Association of Writing Programs , 2017 20512298 2017 anthology criticism

    'The 21st annual conference of the AAWP invited writers and academics to respond to the idea that, as writers, we are engaging in a type of ‘authorised theft’. Over 100 delegates responded enthusiastically by presenting papers that straddled genres, disciplines, modes of expression, as well as languages and cultures. Panel topics included sociologies of writing, poetry and song, narrative and narrative modes, responses to pain and trauma, digital literature and the online space, memoir/biography and travel writing, identity and voice, oral storytelling and ways of knowing, as well as translation and cross-cultural encounters.'

    Source: Introduction.

    Canberra : The Australasian Association of Writing Programs , 2017
Last amended 16 Oct 2020 11:07:09
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