'In each copy of Simon Groth’s Ex Libris, twelve chapters have been randomly arranged in a different order, meaning, as Ryan O’Neill writes in his introduction, ‘each copy of the novel is sui generis’. How the story begins and ends remains the same for everyone – the first and last chapters of the book are immutable – but what happens in between changes. The number of different combinations available? Approximately 479,001,600. It’s a boggling possibility, one that will either intrigue the reader or act as a deterrent. Fittingly, the cover has the blocky letters of the title split into fragments. The task of putting haphazard chapter instalments into a cohesive story may seem intimidating. Groth’s advice is to approach his book like a jigsaw puzzle: the fixed outside chapters act as the framework, holding together the pieces within that each reader fills in a different manner. The end result is a completed picture.' (Introduction)
'In each copy of Simon Groth’s Ex Libris, twelve chapters have been randomly arranged in a different order, meaning, as Ryan O’Neill writes in his introduction, ‘each copy of the novel is sui generis’. How the story begins and ends remains the same for everyone – the first and last chapters of the book are immutable – but what happens in between changes. The number of different combinations available? Approximately 479,001,600. It’s a boggling possibility, one that will either intrigue the reader or act as a deterrent. Fittingly, the cover has the blocky letters of the title split into fragments. The task of putting haphazard chapter instalments into a cohesive story may seem intimidating. Groth’s advice is to approach his book like a jigsaw puzzle: the fixed outside chapters act as the framework, holding together the pieces within that each reader fills in a different manner. The end result is a completed picture.' (Introduction)
