Hannah Viney Hannah Viney i(20352706 works by)
Gender: Female
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Works By

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1 Donna Coates Takes Aim at Australian Women’s War Writing Hannah Viney , 2024 single work review
— Appears in: History Australia , vol. 21 no. 3 2024; (p. 473-474)

— Review of Shooting Blanks at the Anzac Legend : Australian Women’s War Fictions Donna Coates , 2023 multi chapter work criticism

'Though the Anzac legacy remains as prominent as ever in Australian cultural identity, the experiences of Australian women in wartime often remain footnotes to the male-centric mythology. In Shooting Blanks at the Anzac Legend, Donna Coates aims to subvert this hierarchy by offering readers a comprehensive overview of Australian women’s fictionalised accounts of wartime from the First World War to Vietnam. In doing so, she introduces the reader to a rich body of text through which to consider how Australian women have written about war and the Anzac.'  (Introduction)

1 “Women Are Born Diplomats” : Women, Politics and the Cold War in the Australian Women’s Weekly, 1950–1959 Hannah Viney , 2020 single work criticism
— Appears in: Journal of Australian Studies , vol. 44 no. 3 2020; (p. 367-383)

'In the 1950s, the Australian Women’s Weekly represented the popular face of femininity, publishing features on the home, motherhood and romance. Among articles about raising children and cooking a family dinner, however, were regular discussions of Cold War politics. How, then, did a strong political awareness of global events fit in with 1950s ideals of femininity, when politics was still very much the domain of men? This article puts forward a framework of “feminised politics” to discuss the ways in which the Weekly adapted, generated and fused contemporary ideas about womanhood with discourse on global events to encourage women’s increasing participation in the politics of the Cold War. As Australian society grappled with the myriad changes brought about by the end of World War II and new power struggles between East and West, the government and media often presented conservatism as the antidote to the fear generated by these widespread changes. Therefore, this article suggests that the magazine’s framing was necessary to alleviate anxieties surrounding women’s changing place in the postwar world. Understanding the Weekly’s feminised politics reinforces recent scholarship on the complexities of womanhood in the 1950s and illustrates the diverse formulation and expression of femininity in the 20th century.' (Publication abstract)

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