Melody Ellis Melody Ellis i(20329427 works by)
Gender: Female
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Works By

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1 Creativecritical Writing as Methodology Melody Ellis , 2024 single work criticism
— Appears in: TEXT Special Issue , no. 72 2024;
'The traditional view of theory as necessarily distinct from creativity has become increasingly unsatisfactory. In response to such dissatisfaction writers and scholars such as Maggie Nelson, Christina Sharpe, Michael Taussig, Saidiya Hartman, McKenzie Wark, Stephen Muecke, Joan Rettalack and others have introduced into the theoretical field qualities associated with creative writing – including, anecdote, memory, poetics and play. In doing so they have expanded the boundaries of what counts as theory and why. In Depression: a public feeling, literary and affect theorist Ann Cvetkovich argues for her use of memoir as a research methodology. She writes: “While I could have written a critical essay that analysed the genre [of depression memoirs], the results seemed rather predictable” (2012, p. 78). This article takes up Cvetkovitch’s desire for a mode “beyond” the predictable to argue that creativecritical writing might be better understood as a methodology than as a genre of writing. It claims the most radical aspect of the creativecritical mode is not so much the refusal of the critical/creative, nonfiction/fiction, objective/personal binaries, as what the doing of the refusal surfaces and therefore demands of the writer.' (Publication abstract)
1 “Very Communitas” : Testing a Hypothesis in Creative Writing, Methodologically Francesca Rendle-Short , Michelle Aung Thin , David Carlin , Melody Ellis , Lily Rose Tope , 2023 single work essay
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , October vol. 27 no. 2 2023;
'This paper examines the concept of communitas in practice (as a loanword from cultural anthropology and social sciences), what it is and what it can offer creative writing, to test whether it might apply to different creative practice settings. Specifically for this essay, the setting is WrICE (Writers Immersion and Cultural Exchange program) and the research project examining WrICE as the object of its enquiry (Australian Research Council Discovery Project entitled “Connecting Asia-Pacific Literary Cultures: Grounds, Encounter and Exchange”). If we think of communitas in the way anthropologist and poet Edith “Edie” Turner likes to describe it as (un)structured ritual, a condition for creativity, a space where the intensity of feeling or joy can arise (2012), how might a communitas unfolding look and feel as we practice creative writing? How might we think about communitas and what would it mean to do communitas as creative writing method, as drawing-as-method? Also, how might communitas be performed on the page in an academic context such as this: can we as researchers enact or embody communitas?' (Publication abstract) 
1 On the Holding of Spaces for Essaying Into Melody Ellis , Andy Jackson , Tina Stefanou , Peta Murray , Khalid Warsame , 2021 single work essay
— Appears in: Cordite Poetry Review , October no. 103 2021;

'It’s a putting oneself into a space of deliberate uncertainty. Stepping into the unknown. A practicing in that space. Training. It’s about thinking provisionally. Speaking small. Not for all.

'It’s about languaging. Being attentive to words, to meaning. To the meaning that can be smuggled in however unwittingly.

'It’s about taking seriously – which might have nothing whatsoever to do with being serious.'  (Introduction)

1 Motherhood, Language and the Everyday During the Poetry of Astrid Lorange, Amy Brown and L K Holt Melody Ellis , 2020 single work essay
— Appears in: Cordite Poetry Review , October no. 97 and 98 2020;

'For a long time after my daughter was born, I looked for representations of motherhood everywhere. I looked for it in casual interactions with other mothers in the park and on the street, I looked for it with friends, in mothers’ groups and on the screen. I looked for it in my memories of mothers (including my own), and I looked for it in books. In the first six-weeks or so after my daughter was born I tore through Elisa Albert’s After Birth and Rachel Cusk’s A Life’s Work. I remember them like balm, even though I cannot remember much of the content of either book now. I read and re-read Maya Angelou, Marguerite Duras, Julia Kristeva, Maggie Nelson and Adrienne Rich all of whom I had read before but reading them as a mother felt different. I read Elena Ferrante for the first time and was in awe at the way she wrote about mothers. I read Deborah Levy’s fiction and nonfiction and thought her novel Hot Milk would have been more satisfying had it been a nonfiction account of the central mother-daughter relationship (reading into that novel Levy’s complicated relationship with her mother). I heard the poet Rachel Zucker interviewed about her book MOTHERs on a parenting podcast and when I bought that book, I tore through it too. Again, balm. I read Jacqueline Rose’s Mothers: An Essay on Love and Cruelty and though aspects of the book annoyed me, I was grateful for it.' (Introduction)

1 Once, in a Story Melody Ellis , 2019 single work short story
— Appears in: Meanjin Online 2019;
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