Satirical and Elegiac single work   review  
Issue Details: First known date: 2019... 2019 Satirical and Elegiac
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'My first encounter with Stephen Oliver was to see and hear him reading his poems at the Sandringham Hotel at the then-grungy lower end of King Street, Newtown in the late 1980s. It was a Saturday afternoon, on a stage usually occupied by bands, and he was in his element as he engaged with the punters, giving as good as he received from them. This was no "Poets in the Park" gig, no audience of "peers" politely responding to one of their own. He, along with Vicki Viidikas, was reading to what most of the then poets around town in Sydney may have disparagingly referred to as swine before which their pearls were not to be spread. They were both relishing the incongruous situation as they were reading their work to a hostile or at least an unappreciative audience.' (Introduction)

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    y separately published work icon Antipodes vol. 33 no. 1 June 2019 20294120 2019 periodical issue

    'This current issue of Antipodes fittingly represents the work of the three editors who have guided the journal's production in the past year or so. Volume 32 (2018), a double issue, marked the official end of Nicholas Birns's eighteen-year tenure as editor of Antipodes, and as that volume came to production, Belinda Wheeler lent a diligent hand and a keen eye to the publication of the double issue. An essay or two approved by Nicholas has made its way into the current issue (33.1), with Belinda acquiring many of the essays in this issue. Belinda also provided the editorial guidance for the special section on the work of Alexis Wright. It is from the capable hands of Nicholas and Belinda that I take the reins of the journal Antipodes, with a well-mapped path behind and an open road ahead.' (Brenda Machosky, Editorial introduction)

    2019
    pg. 184-187
Last amended 2 Oct 2020 12:28:05
184-187 Satirical and Elegiacsmall AustLit logo Antipodes
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