Issue Details: First known date: 2019... 2019 Prose That Makes Us "Laugh, Cry, Squirm and Gasp and Wonder" : Imagery, Memory, and Emotion in Helen Garner's Memoirs
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Despite our awareness of the slipperiness of truth, literary memoirists continue to attract vast audiences, keen to immerse themselves in the skillful transformation of "experience into meaning and value" (Hampl, "Memory" 208). The rich tradition of the literary memoir differs from so-called pulp memoirs in relying less on narcissism and self-justification and more on storytelling, figurative language, dialogue, and "moments of imagination" (Bartkevicius 134). The result is the capacity to convey subjective experience, from both intellectual and emotional perspectives, thereby "plung[ing] the reader into the real heart of the matter" (Silverman 149). In effectively portraying the emotions that inevitably underpin the heart of the matter, literary memoirists can also have an emotional impact on us as readers, wherein we are invited to "laugh, cry, squirm and gasp and wonder" (Gaunt 22).' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Antipodes vol. 33 no. 1 June 2019 20294120 2019 periodical issue

    'This current issue of Antipodes fittingly represents the work of the three editors who have guided the journal's production in the past year or so. Volume 32 (2018), a double issue, marked the official end of Nicholas Birns's eighteen-year tenure as editor of Antipodes, and as that volume came to production, Belinda Wheeler lent a diligent hand and a keen eye to the publication of the double issue. An essay or two approved by Nicholas has made its way into the current issue (33.1), with Belinda acquiring many of the essays in this issue. Belinda also provided the editorial guidance for the special section on the work of Alexis Wright. It is from the capable hands of Nicholas and Belinda that I take the reins of the journal Antipodes, with a well-mapped path behind and an open road ahead.' (Brenda Machosky, Editorial introduction)

    2019
    pg. 22-39
Last amended 2 Oct 2020 10:13:12
22-39 Prose That Makes Us "Laugh, Cry, Squirm and Gasp and Wonder" : Imagery, Memory, and Emotion in Helen Garner's Memoirssmall AustLit logo Antipodes
Subjects:
Newspapers:
    Powered by Trove
    X